You learn something new every day, don't you? But I certainly wasn't expecting it to be that.
The Boss comes into the office quite early, ready for an appointment with someone called Brian Sadler, whom Andrew says he hasn't seen for years.
"He's not a constituent, then?" I ask. "The name doesn't ring any bells with me."
"No, he's not," says Andrew. "Just a very old friend, who wants me to do him a favour. I'll see him in private when he arrives. All you need to do is show him in and then bugger off and leave us alone."
The trouble with Andrew is that he can't sit still for a second, and he can't wait for anything either. So when Brian isn't here on the dot of 09:30am, Andrew gets bored and rings the local paper to offer them an interview. About the EU and herbal medicines, or something of equal concern to the population of the Easemount estate, who form the paper's main readership. He never takes his audience into account.
Anyway, he's still chuntering away on the phone when Brian arrives, so I have no option but to make a coffee and offer Brian a seat in my office while he waits for The Boss to finish.
"So how's my old mate, Andrew, then?" he says. "Still full of hot air, I see."
"Hmm," I say.
Non-committal is always best - seeing as Brian's question could all too easily be a trap. Just because Andy Coulson's finally decided to resign doesn't mean it's now safe to make unguarded comments, after all.
I wouldn't put anything past anyone these days, which is probably a very sad reflection of the world view of most MPs' staff - with the exception of Vince Cable's, of course. Who'd do well to learn from the cynics amongst us when booking their boss' surgery appointments in future.
"You'd never think Andrew used to be a Tory, would you?" says Brian.
He smiles as he waits for my reaction, but I don't say anything, as I'm too incredulous for speech. I just sit there, staring at him with my mouth wide open. (I must stop doing that: I know it makes me look gormless.)
"Don't believe me?" he says.
I shake my head, as the door to the Oprah Room opens, and The Boss comes out.
"Molly doesn't believe what?" says Andrew.
"Just some of the things you got up to when we were at college, dear boy," says Brian.
Andrew looks at his so-called friend as if he'd like to strangle him, then pulls himself together and makes some half-arsed laughing noises, though they're not exactly convincing. Then he puts his arm round Brian's shoulder and almost drags him into the Oprah Room.
As soon as Andrew slams the door, I hustle Greg into the corridor to tell him what Brian said. Away from Vicky's big ears. (This is not a metaphor: you can see them whenever she does that hair-flicking thing.)
Annoyingly, Greg isn't half as surprised by Brian's revelation as he damn well should be, which takes all the fun out of passing it on. I sulk, until he explains why he hasn't fainted with shock, as I'd been assuming he would.
"Always suspected something like that," he says. "The Boss tries far too hard to be more left-wing than anyone else. It's that 'protests too much' thing that gives it away."
"I didn't think of that," I say. "Very Shakespearean. Since when did you get to be so smart?"
"Since half the women I go to bed with try to pull the same trick," he says. "The minute they start making a racket, I always know they're putting it on."
Ha - I knew that Ellen was pretending! I must find a way to drop this pearl of wisdom into a conversation with Max - just in case he's fallen for all the yelling she does whenever she entertains, or whatever she calls it. Especially when her bloody bedroom window's open.
Mind you, even Ellen doesn't do as much yelling as The Boss does when he's in a mood, which he certainly seems to be once Brian has left. He even shouts at me a couple of times in front of constituents during surgery. I'm not sure who is more uncomfortable about it: me or them.
Andrew carries on in this vein for the rest of the day - except when he's ignoring me instead - but both options are almost equally wearing. I'm pretty fed up by 5:00pm and still have no idea why he's behaving like this, so I decide to tackle him about it before I miss my chance.
It's not easy get him in private, though, because Vicky's never far from his side; but I finally manage it by dint of following them both into the car park after work.
I hang back until they've said their goodbyes and Vicky has driven off, and then, as soon as Andrew gets into his own car, I sneak towards it under cover of some bushes. Rather like a panther, now I come to think of it.
I tap on the window, and The Boss opens it, rolling his eyes as he does so.
"Andrew, can I have a word?" I say. "It won't take long."
He says nothing, although he does pause in the act of starting the engine. Then he just glares at me and waits for me to speak.
"What on earth's the matter with you today?" I say. "You're like a bear with a sore head. And I wish you'd stop shouting at me in front of everyone. It's embarrassing, as well as not very professional."
"Let's just say I'm not comfortable with working with a fascist," says Andrew.
This seems like a non-sequitur, so I resort to the open-mouthed staring again, coupled with an excessively-raised eyebrow.
"Vicky told me what you said about Michael Gove," he says. "Seems like you're working for the wrong MP. We're supposed to be Socialists in this office, you know, Molly."
"Well, at least I've never been a member of the bloody Tory Party," I say. "Unlike you - or so I hear."
This must be the first time in my life that I've ever managed to come up with a cutting response while the person who deserved it was still present. Though, judging by The Boss' expression when he revs the engine before he drives off, I suspect it's going to cost me dear.
Showing posts with label Vince Cable. Show all posts
Showing posts with label Vince Cable. Show all posts
Friday, 21 January 2011
Wednesday, 22 December 2010
Tommy Cooper, Vince Cable And Keats: Not As Unrelated As One Might Think
Gah. This bloody snow is screwing everything up. Now Johnny says he's not sure if he wants to risk flying in from Moscow next week for what is supposed to be our night of passion. Or evening of passion, anyway.
"I'll make it up to you, I promise," he says. "But I just can't afford to get stuck there between Christmas and New Year. Never seen anything like the cock-up at Heathrow. Bloody pathetic what a few inches of snow causes in the UK."
I refrain from pointing out that the Russian winds aren't exactly helping, but Carlotta and Marie-Louise seem to agree with him about the efficiency of British travel. They have decided not to attempt the journey from London for today's office lunch.
"We really don't want to spend hours sitting in a freezing train, only to have to walk along the railway line to safety, and then hang around for a coach to get us to Northwick," says Carlotta. "And Marie doesn't much feel like spending any more time with The Boss than necessary, anyway, while he's still being so horrible to her."
So, by the time we arrive at Salvatore's for lunch, we're a pretty depleted group: me, Greg, Andrew and bloody Vicky. Mind you, the atmosphere's better than it is at home, as at least The Boss is in a better mood than Max was when I left home this morning.
Andrew is in a very good mood, actually. I've no idea why, unless he's just realised how lucky he is that his penchant for attractive young women hasn't left him in a mess to rival Vince Cable's. So far.
Andrew's even feeling generous, and opens his battered old briefcase with a flourish to reveal a clutch of gifts. I'm suddenly reminded of Tommy Cooper, but I don't say anything, as the presents look pretty promising for a change.
For a start, they don't look book-shaped, so hopefully they don't contain sequels to the matching copies of Cooking With Northwick Piccalilli that Andrew gave me and Greg last year. We were convinced he'd got them free when he was taken on a tour of the factory a few months earlier.
Anyway, I digress. (Must be the hormones, or the thought of Piccalilli.) Andrew hands us all our gifts, and says:
"Ho, ho, ho. Happy Christmas!"
He really does look very pleased with himself.
"Did Trish choose these?" says Greg. "They're ever so well-wrapped."
"No, I bought them," says Andrew. "Although Trish did help out with the packing. I'm no good at that fiddly stuff."
He glances at Vicky, who doesn't seem very impressed with her small package. To be fair, it isn't half as nicely-wrapped as the others and, as she inspects it, a tear in the paper reveals something turquoise underneath.
"Ah, yes. That one," says Andrew. "Trish ran out of time, so I had to wrap yours myself, Vicky. Anyway, hope you all like your presents, and thanks for your hard work this year."
I'd prefer not to be watched while I open mine, after last year's proved virtually impossible to look thrilled about, but The Boss looks so expectant that there's no choice but to get on with the unwrapping. I cross my fingers and hope for the best.
Greg tears the paper off his first, only to find a box of Matchmakers. Cool mint ones, admittedly - but even so, he doesn't exactly look overwhelmed.
"Oh," he says. "Um, yeah. Matchmakers. Thanks, Boss."
"No, no," says Andrew. "Open the box."
He laughs, and nudges Vicky - as if there's any chance of someone as young as she is understanding a reference to Take Your Pick. She doesn't disillusion him, though, and I can't bring myself to, either. There's something almost childish about Andrew's excitement today, and it would feel too cruel to put a dampener on it.
Greg does as he's told, and slides the box lid back.
"Oh," he says again - though this time in an entirely different tone. "HMV vouchers - brilliant! Thanks, Boss."
"Trish thought the boxes would fool you," says Andrew. "Now your turn, Molly."
I'm as chuffed as Greg was when I open my box - originally containing Morny soaps - to find that it too contains vouchers. For Northwick's premier beauty salon.
"Oh, Andrew," I say. "Thank you so much. I've never been to a beauty salon before."
"I should think he can see that," says Vicky, as she puts her package into her bag. Unopened.
"What have you got, Vicky?" says Greg.
"I don't know," she says. "I'll open it later, in private."
I'm expecting The Boss to object, but when I turn towards him, he's winking at her.
The meal's gorgeous - as it always is at Salvatore's - although there are a lot of awkward gaps in the conversation. I don't know if this is because Greg and I are barely drinking, as we've still got work to do today, or whether it's because Andrew only seems interested in what Vicky has to say. God knows why, as that's as boring the hell, as far as Greg and I can tell from the little we can hear in between her giggling.
Andrew and Vicky are extremely well-oiled by the time Greg and I decide that we're more than ready to go back to the office, and Andrew's trying to persuade Salvatore to ignore the smoking ban and allow the smoking of a pipe.
"Salvo," he shouts. "Join us for a drink - and meet Vicky, a very bella donna."
"Isn't that a poison?" says Greg, as he passes me my coat. "And wouldn't you think he'd be a bit more careful in the company of a giggling young woman?"
"Yes," I say. "You would, wouldn't you?"
Then we both stare at each other in horror, while images of tape recorders and journalists' notebooks swirl through our minds.
"Sod Belladonna," I say. "Let's just hope Vicky doesn't turn out to be La Belle Dame Sans Merci instead."
"I'll make it up to you, I promise," he says. "But I just can't afford to get stuck there between Christmas and New Year. Never seen anything like the cock-up at Heathrow. Bloody pathetic what a few inches of snow causes in the UK."
I refrain from pointing out that the Russian winds aren't exactly helping, but Carlotta and Marie-Louise seem to agree with him about the efficiency of British travel. They have decided not to attempt the journey from London for today's office lunch.
"We really don't want to spend hours sitting in a freezing train, only to have to walk along the railway line to safety, and then hang around for a coach to get us to Northwick," says Carlotta. "And Marie doesn't much feel like spending any more time with The Boss than necessary, anyway, while he's still being so horrible to her."
So, by the time we arrive at Salvatore's for lunch, we're a pretty depleted group: me, Greg, Andrew and bloody Vicky. Mind you, the atmosphere's better than it is at home, as at least The Boss is in a better mood than Max was when I left home this morning.
Andrew is in a very good mood, actually. I've no idea why, unless he's just realised how lucky he is that his penchant for attractive young women hasn't left him in a mess to rival Vince Cable's. So far.
Andrew's even feeling generous, and opens his battered old briefcase with a flourish to reveal a clutch of gifts. I'm suddenly reminded of Tommy Cooper, but I don't say anything, as the presents look pretty promising for a change.
For a start, they don't look book-shaped, so hopefully they don't contain sequels to the matching copies of Cooking With Northwick Piccalilli that Andrew gave me and Greg last year. We were convinced he'd got them free when he was taken on a tour of the factory a few months earlier.
Anyway, I digress. (Must be the hormones, or the thought of Piccalilli.) Andrew hands us all our gifts, and says:
"Ho, ho, ho. Happy Christmas!"
He really does look very pleased with himself.
"Did Trish choose these?" says Greg. "They're ever so well-wrapped."
"No, I bought them," says Andrew. "Although Trish did help out with the packing. I'm no good at that fiddly stuff."
He glances at Vicky, who doesn't seem very impressed with her small package. To be fair, it isn't half as nicely-wrapped as the others and, as she inspects it, a tear in the paper reveals something turquoise underneath.
"Ah, yes. That one," says Andrew. "Trish ran out of time, so I had to wrap yours myself, Vicky. Anyway, hope you all like your presents, and thanks for your hard work this year."
I'd prefer not to be watched while I open mine, after last year's proved virtually impossible to look thrilled about, but The Boss looks so expectant that there's no choice but to get on with the unwrapping. I cross my fingers and hope for the best.
Greg tears the paper off his first, only to find a box of Matchmakers. Cool mint ones, admittedly - but even so, he doesn't exactly look overwhelmed.
"Oh," he says. "Um, yeah. Matchmakers. Thanks, Boss."
"No, no," says Andrew. "Open the box."
He laughs, and nudges Vicky - as if there's any chance of someone as young as she is understanding a reference to Take Your Pick. She doesn't disillusion him, though, and I can't bring myself to, either. There's something almost childish about Andrew's excitement today, and it would feel too cruel to put a dampener on it.
Greg does as he's told, and slides the box lid back.
"Oh," he says again - though this time in an entirely different tone. "HMV vouchers - brilliant! Thanks, Boss."
"Trish thought the boxes would fool you," says Andrew. "Now your turn, Molly."
I'm as chuffed as Greg was when I open my box - originally containing Morny soaps - to find that it too contains vouchers. For Northwick's premier beauty salon.
"Oh, Andrew," I say. "Thank you so much. I've never been to a beauty salon before."
"I should think he can see that," says Vicky, as she puts her package into her bag. Unopened.
"What have you got, Vicky?" says Greg.
"I don't know," she says. "I'll open it later, in private."
I'm expecting The Boss to object, but when I turn towards him, he's winking at her.
The meal's gorgeous - as it always is at Salvatore's - although there are a lot of awkward gaps in the conversation. I don't know if this is because Greg and I are barely drinking, as we've still got work to do today, or whether it's because Andrew only seems interested in what Vicky has to say. God knows why, as that's as boring the hell, as far as Greg and I can tell from the little we can hear in between her giggling.
Andrew and Vicky are extremely well-oiled by the time Greg and I decide that we're more than ready to go back to the office, and Andrew's trying to persuade Salvatore to ignore the smoking ban and allow the smoking of a pipe.
"Salvo," he shouts. "Join us for a drink - and meet Vicky, a very bella donna."
"Isn't that a poison?" says Greg, as he passes me my coat. "And wouldn't you think he'd be a bit more careful in the company of a giggling young woman?"
"Yes," I say. "You would, wouldn't you?"
Then we both stare at each other in horror, while images of tape recorders and journalists' notebooks swirl through our minds.
"Sod Belladonna," I say. "Let's just hope Vicky doesn't turn out to be La Belle Dame Sans Merci instead."
Tuesday, 21 December 2010
Chariots Of Fire, And Why Snow, MPs And Alcohol Don't Mix.
God, I'm knackered. I hardly slept a wink last night, because I woke up about an hour after I'd dozed off, and then I just could not get back to sleep. Bloody palpitations.
I think they were probably caused by the nightmare I'd been having just before I awoke. The Boss was driving a chariot through Northwick while dressed in a Roman centurion's outfit, and was making me pull the damn thing - on foot! It wouldn't have been so bad, if he hadn't kept whipping me every time I slowed down to catch my breath.
It definitely wasn't some sort of Freudian reference to my lack of a sex-life, as this was not the kind of whipping that anyone would enjoy, not even those people who apparently like hanging out in dungeons, while dressed in gimp suits. Mentioning no particular professions...
And I wasn't dressed in one of those pervy pony outfits, either, though I did have rather high heels on. It took bloody ages to pull the chariot past the market square, thanks to all the stupid cobbles. Architects never think when they decide on these silly "historic" road surfaces, do they?
After lunch, I realise what the nightmare probably signified: I must have been anticipating the inevitable blow-by-blow account of The Boss's journey back to Northwick after the *House rises for Christmas Recess. He always likes to make it as interactive as possible, and share the joy around.
Andrew's first call sets the scene:
"On my way to the station. Be back before the office closes."
"No need," I say. "There's nothing for you to do. Go straight home when you get off the train."
"Doesn't matter," he says. "I've got lots of stuff to give you to do. See you when I get there."
Greg groans when I recount the conversation, and decides to spend the next hour in the archive cupboard throwing darts at Andrew's photo. Then he returns to his desk, logs on to the Met Office's website and sits staring intently at the screen. For what feels like ages.
"What on earth are you doing?" I say. "You haven't even blinked for the last ten minutes."
"Taking evasive action. I am willing it to snow as heavily as possible between London and Northwick," he says. "Right now."
I do a sceptical eyebrow raise, but Greg doesn't take any notice:
"Don't just sit there, Mol - help me! Visualise blizzard conditions and concentrate. We need to harness the power of our minds if tomorrow's Christmas lunch isn't to be cancelled because we've got too much work again."
I pretend to co-operate for a couple of seconds, but then I get bored and give up, so it seems that my mind may be rather short on power today. Greg keeps at it, though - and, eventually, it starts to snow again. Rather heavily - so maybe he genuinely possesses some of those telekinetic powers that Max accused me of having.
This is quite a scary thought, but seems to be confirmed when The Boss sends a text saying:
"Mayhem here. Next train cancelled."
Greg cheers loudly at this news, and then nips off to the pub for a celebratory gin. I start to wonder if he's telepathic as well as telekinetic when Andrew's next text makes clear that his thoughts have also turned to alcohol:
"No idea when next train's coming & it's too bloody cold to wait on station. Going for drink in bar."
Oh, dear. This won't end well. The Boss should never be allowed to combine alcohol and train travel but, when I try to phone him to remonstrate, he's turned his bloody mobile off. I don't hear anything more for a good few hours, and we are just about to lock up when the phone starts to ring.
"Leave it," says Greg, who has already put his coat on, and is waiting in the doorway.
"Can't," I say. "It's the bloody private line. Probably his Lordship. You go, and I'll lock up as soon as I've got him off the phone."
Greg waves goodbye, as I pick up the receiver.
"Molly," says Andrew, in a very loud voice. "I'm on the train."
"Ah, right," I say. "Don't shout, though. You sound like Dom Joly."
"I'm not shouting. And who's Don Jorrey?"
Oh, bloody hell. Doesn't Andrew get the simplest cultural reference? And, if that's not shouting, then my name's Igor and I am a singing postman. Which might actually help in situations where you know there's a rant coming, but you can't do anything to prevent it. If I started yodelling about brotherly love, that'd probably stop The Boss in his tracks.
But I don't know any Russian songs - except for this, which probably doesn't count - so I have no option but to sit silently while Andrew yells about the incompetence of Network Rail, the Travel Information Office, and Philip Hammond MP. He doesn't award Mr Hammond his *Rt. Hon, either.
When he finally pauses for breath - or for what sounds rather like a hiccup - I grab my opportunity.
"Andrew, is there anyone else in the compartment with you?" I say.
"Yes," he says. "A load of businessmen who look like bloody bankers and Jon Tiverton from the Northwick Daily Press."
"Well, then, for goodness' sake stop swearing," I say. "And lower your voice! They're probably all journos who are writing down everything you say. Think about what's just happened to Vince Cable."
"Can't hear you," yells Andrew, even louder than before. "But remind me tomorrow never to support this fucking train operator's application for the rail franchise again.
As I sigh and put the phone down, I'm sure I can still hear him shouting: "Bloody wankers."
Well, they say you can take a horse to water, but you can't make him drink. Or even pull his own damned chariot, now I come to think of it.
*House - House of Commons, which rises for the Christmas Recess today, to the joy of constituency staff everywhere.
*Irony - see above statement.
*Rt. Hon - Right Honourable. See here for clarification, as I can't be bothered to explain after the day I've had.
I think they were probably caused by the nightmare I'd been having just before I awoke. The Boss was driving a chariot through Northwick while dressed in a Roman centurion's outfit, and was making me pull the damn thing - on foot! It wouldn't have been so bad, if he hadn't kept whipping me every time I slowed down to catch my breath.
It definitely wasn't some sort of Freudian reference to my lack of a sex-life, as this was not the kind of whipping that anyone would enjoy, not even those people who apparently like hanging out in dungeons, while dressed in gimp suits. Mentioning no particular professions...
And I wasn't dressed in one of those pervy pony outfits, either, though I did have rather high heels on. It took bloody ages to pull the chariot past the market square, thanks to all the stupid cobbles. Architects never think when they decide on these silly "historic" road surfaces, do they?
After lunch, I realise what the nightmare probably signified: I must have been anticipating the inevitable blow-by-blow account of The Boss's journey back to Northwick after the *House rises for Christmas Recess. He always likes to make it as interactive as possible, and share the joy around.
Andrew's first call sets the scene:
"On my way to the station. Be back before the office closes."
"No need," I say. "There's nothing for you to do. Go straight home when you get off the train."
"Doesn't matter," he says. "I've got lots of stuff to give you to do. See you when I get there."
Greg groans when I recount the conversation, and decides to spend the next hour in the archive cupboard throwing darts at Andrew's photo. Then he returns to his desk, logs on to the Met Office's website and sits staring intently at the screen. For what feels like ages.
"What on earth are you doing?" I say. "You haven't even blinked for the last ten minutes."
"Taking evasive action. I am willing it to snow as heavily as possible between London and Northwick," he says. "Right now."
I do a sceptical eyebrow raise, but Greg doesn't take any notice:
"Don't just sit there, Mol - help me! Visualise blizzard conditions and concentrate. We need to harness the power of our minds if tomorrow's Christmas lunch isn't to be cancelled because we've got too much work again."
I pretend to co-operate for a couple of seconds, but then I get bored and give up, so it seems that my mind may be rather short on power today. Greg keeps at it, though - and, eventually, it starts to snow again. Rather heavily - so maybe he genuinely possesses some of those telekinetic powers that Max accused me of having.
This is quite a scary thought, but seems to be confirmed when The Boss sends a text saying:
"Mayhem here. Next train cancelled."
Greg cheers loudly at this news, and then nips off to the pub for a celebratory gin. I start to wonder if he's telepathic as well as telekinetic when Andrew's next text makes clear that his thoughts have also turned to alcohol:
"No idea when next train's coming & it's too bloody cold to wait on station. Going for drink in bar."
Oh, dear. This won't end well. The Boss should never be allowed to combine alcohol and train travel but, when I try to phone him to remonstrate, he's turned his bloody mobile off. I don't hear anything more for a good few hours, and we are just about to lock up when the phone starts to ring.
"Leave it," says Greg, who has already put his coat on, and is waiting in the doorway.
"Can't," I say. "It's the bloody private line. Probably his Lordship. You go, and I'll lock up as soon as I've got him off the phone."
Greg waves goodbye, as I pick up the receiver.
"Molly," says Andrew, in a very loud voice. "I'm on the train."
"Ah, right," I say. "Don't shout, though. You sound like Dom Joly."
"I'm not shouting. And who's Don Jorrey?"
Oh, bloody hell. Doesn't Andrew get the simplest cultural reference? And, if that's not shouting, then my name's Igor and I am a singing postman. Which might actually help in situations where you know there's a rant coming, but you can't do anything to prevent it. If I started yodelling about brotherly love, that'd probably stop The Boss in his tracks.
But I don't know any Russian songs - except for this, which probably doesn't count - so I have no option but to sit silently while Andrew yells about the incompetence of Network Rail, the Travel Information Office, and Philip Hammond MP. He doesn't award Mr Hammond his *Rt. Hon, either.
When he finally pauses for breath - or for what sounds rather like a hiccup - I grab my opportunity.
"Andrew, is there anyone else in the compartment with you?" I say.
"Yes," he says. "A load of businessmen who look like bloody bankers and Jon Tiverton from the Northwick Daily Press."
"Well, then, for goodness' sake stop swearing," I say. "And lower your voice! They're probably all journos who are writing down everything you say. Think about what's just happened to Vince Cable."
"Can't hear you," yells Andrew, even louder than before. "But remind me tomorrow never to support this fucking train operator's application for the rail franchise again.
As I sigh and put the phone down, I'm sure I can still hear him shouting: "Bloody wankers."
Well, they say you can take a horse to water, but you can't make him drink. Or even pull his own damned chariot, now I come to think of it.
*House - House of Commons, which rises for the Christmas Recess today, to the joy of constituency staff everywhere.
*Irony - see above statement.
*Rt. Hon - Right Honourable. See here for clarification, as I can't be bothered to explain after the day I've had.
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